concentration spread 1.1 For my consentration I wanted to be able to add my own personal touch to it so I could have a connection; however I also wanted other people to connect and feel with my pieces so I wanted to keep my pieces anonymous and gender neutral. In this sketchbook spread I focused on how I imagine the stress in my head would look like. I came up with two different ways I interpret it, whether it was a softer more clouded version, or a more paranoid and chaotic way. I wanted to practice and see if it was possible to mix the two styles together. I also wanted to incorporate bit of color psychology to infuse a bit more emotion into my paintings.
